Exhibition Dates
March 19 – 27, 2010



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Contemporary Comments

Onishi Gallery is proud to present Con­tem­po­rary Com­ments, a group show of recent works by Japan­ese Liv­ing National Trea­sure artist Mamoru Nak­a­gawa, Megumi Nagai, Toshio Ohi, Hiroto Rakusho and Ralph Rucci, dur­ing Asian Week in New York.  The art­works encom­pass:  Kaga inlay metal sculp­ture; fan­ci­ful, hyper-realistic, sur­re­al­is­tic “face” paint­ings on wood grains; Ohi ceram­ics based on tra­di­tional meth­ods; dig­i­tal repro­duc­tions of ancient National Trea­sure screens and paint­ings on gold leaf.  The art work blends dili­gent train­ing in cen­turies old tech­niques expressed through con­tem­po­rary sen­si­bil­i­ties.  The result is art­works that bring new life to ancient crafts and link Japan to America.

Self-Portrait (63 Building), 30 x 40 inches, 2009

Megumi Nagai, Bird, 2009, oil on wood, 4.5 x 7.5 inches

Mamoru Nak­a­gawa:  Named a Japan­ese Liv­ing National Trea­sure artist in 2004, Mamoru Nak­a­gawa per­fected 8th Cen­tury Kaga inlay met­al­work and updated it with a painter’s eye.  His work, aero­dy­namic in shape, Art Mod­erne in feel­ing, has the sleek, mas­cu­line appeal of sports cars, yachts and stream­lined trains.  His work has been exhib­ited inter­na­tion­ally and is in the col­lec­tion of the Met­ro­pol­i­tan Museum of Art.

Megumi Nagai:  The Japan­ese born Brook­lyn res­i­dent, Megumi Nagai uses oil and mixed media on var­i­ous types of wood grain to inter­pret facial imagery inspired by nature in a super-realistic, sur­re­al­is­tic man­ner with homage to Hoko­sai and Arcim­boldo.  She mixes tex­tures, color, irregularities…with wood grain to pro­duce “faces” which express inner emo­tions.  Her recent work “Himiko, Ancient Queen of Yamataikoku” is in the exhibit.

Toshio Ohi:  The 11th gen­er­a­tion of his fam­ily to work in famous black Toshio Ohi ware, which traces its his­tory to 1666, he crafts the same bowls and other Tea Cer­e­mony objects…but with a twist.  Born in Kanazawa, he received a MFA from Boston Uni­ver­sity and has taught in the United States, Tai­wan and Japan.  An award win­ning pot­ter who still uses his grandfather’s tools, his work reflects the same lus­trous fin­ishes and shapes.

Hiroto Rakusho:  The Gold Leaf Mas­ter from Kyoto has used his cen­turies old train­ing to “breathe life” into high tech dig­i­tal repro­duc­tions of aged works on paper…screens and door pan­els in his city’s shrines, tem­ples and palaces.  In ancient times artists painted on top of gold leafed pan­els.  Today, he adds shim­mer­ing gold leaf to art­work copied with 21 col­ors, which enables the work to be shown in pub­lic again.

Ralph Rucci:  The renowned high fash­ion & cou­ture New York designer, whose gar­ments many con­sider to be wear­able art, is also a fine artist painter who has had four solo shows in the past five years.  He col­lab­o­rated with Hiroto Rakusho to cre­ate four works com­bin­ing sil­ver leaf, acrylic and mixed media.  Rakusho pre­pared sil­ver & gold leaf pan­els and did the cal­lig­ra­phy on one and Rucci painted over them all.

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