Trace

Onishi Gallery is proud to present Emi Uchida in a solo show, Trace. In this exhi­bi­tion, Uchida presents a new body of art in which she builds on the beau­ti­ful col­ors in her for­mer work by adding char­coal lines on top of her col­or­ful oil paint­ings. Her paint­ings use fresh and trans­par­ent col­ors echo­ing water­color. Her process of lay­ing lines is a way of find­ing her­self through her paint­ings, which rep­re­sent both her body and her soul.

Whether Uchida’s char­coal lines are thick, thin, quick, slow, strong or del­i­cate, each stroke makes her aware of the pas­sage of time and the sin­gu­lar­ity of each moment. Uchida con­sid­ers her lines a trace of both her­self and time; each line on the can­vas is dif­fer­ent and is impos­si­ble to repli­cate. When Uchida’s lines are piled on each can­vas, they merge into one uni­fied plane.

Emi Uchida was born in Yamanashi, Japan in 1970. She stud­ied at Joshibi Junior Col­lege of Art and Design and received her degree in Fine Art in 1991. Until 2004, she worked as a designer in the fash­ion indus­try. From a very young age she stud­ied real­is­tic paint­ing tech­niques with estab­lished painter Mineko Ando. In 2005, she began explor­ing abstrac­tion, work­ing closely with artist Anjin Abe. Her well-received first solo exhi­bi­tion was in Japan at the Yamanashi Pre­fec­ture gallery in 2005. Uchida has since been cre­at­ing inti­mate visual spaces within the tra­di­tional con­fines of the rec­tan­gle, cre­at­ing envi­ron­ments both nat­u­ral­is­tic and dreamlike.

Uchida’s gor­geous sur­faces exhibit a mas­tery of tech­nique in which Uchida iso­lates col­ors from lines and then reunites them. Ulti­mately, when her lines and col­ors coex­ist in bal­ance to make those lay­ers invis­i­ble, a whole new space of unpar­al­leled tex­ture and pos­si­bil­ity appears.

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